To Grief
Here you come again as a full moon.
I don’t sleep when you are rich, fat, cheerful.
And I don’t care if it is a woman thing or not:
you keep me wide-awake night after night
when you dress in your bright white.
You know, it wasn’t always this way.
As I age, my lassoing of this and that
becomes less important, but I grow
more sensitive to everything:
storms, sun, people, dust,
moon.
And now, we are in that high-brow window
between summer and autumn: each day
I say goodbye to life dying—
tomato plants, a butterfly, zinnias,
a brother.
.
They are leaving like shooting stars,
never to be seen or touched again.
Meanwhile, I am stuck with the caw of a crow
and the rawness in Dylan Thomas.
You are an unyielding neighbor,
relentlessly knocking.
No hugs, no words.
Yet. . . oh my, you may have heard me
caw.
Pat Durmon, 2013
Here you come again as a full moon.
I don’t sleep when you are rich, fat, cheerful.
And I don’t care if it is a woman thing or not:
you keep me wide-awake night after night
when you dress in your bright white.
You know, it wasn’t always this way.
As I age, my lassoing of this and that
becomes less important, but I grow
more sensitive to everything:
storms, sun, people, dust,
moon.
And now, we are in that high-brow window
between summer and autumn: each day
I say goodbye to life dying—
tomato plants, a butterfly, zinnias,
a brother.
.
They are leaving like shooting stars,
never to be seen or touched again.
Meanwhile, I am stuck with the caw of a crow
and the rawness in Dylan Thomas.
You are an unyielding neighbor,
relentlessly knocking.
No hugs, no words.
Yet. . . oh my, you may have heard me
caw.
Pat Durmon, 2013